It rarely happens but it happened: last Saturday I foresaked my mountain, accompanied by part of my offspring, and hit the road to a lost abbey, somewhere in the piedmont region, near Aurignac.
No, it’s not my piety that forced me into visiting this magnificent place. Why spread the gospel around in the plains when altitude tends to make you more audible?
Yes, it’s my passion for Fraser Anderson’s music. After a winter of shoveling snow, bringing down trees and chopping wood, this was a well-deserved break from this isolated spot. I admit, they make me laugh at times, those songwriters that lock themselves up in a cabin lodge for six months to find the muse. I live here throughout the year and I don’t have any time to spare on writing songs. Jealous, Me? I sing out loud, bawdy songs, while splitting wood which has a double merit to it ; keeping the bear away and warming up my throat. But I digress…
And what a surprise! I was supposed to witness a one man show. Not only did the evening promise to be one of the best in this place full of history, when the presenter announced to the hundred or so audience that two folk magicians would take turns to offer us a memorable evening: Fraser Anderson and Paul Tiernan! Yes!
For almost a year I constantly have been missing out on the inevitable ‘Private Folk Sessions’ offered by this Pyrenean neighbour (Mr Anderson and his family chose to settle in Ariège)… and here we were, getting double compensation by two doses of excellent whiskey’s: Irish and Scottish!
Nearly 2 metres tall -or is it my admiration that made him look gigantic?- the Scotsman opens the first set under a scattered applause by a timorous crowd. The voice is there, even more spellbinding than on his first 2 albums. It’s undoubtedly the most important istrument of this storyteller. It takes us so high. What a delectation! But not without taking into account his dexterity on the chords. Rhythmic as well as melodic, he handles his guitar with virtuosity, which offers his words a magnificent support anchored in the pure folk tradition, but allowing himself some dazzling forays tending to the blues and jazz. 45 minutes and a fistful of songs later, just as the audience was getting warmed up, the set of this tall bearded man was already completed.
A set of such intensity and variety that to this day it leaves me speechless, still enchanted by the magic. A mere two tracks of his previous albums were played, so the evening was dedicated to his forthcoming album, that should be released in the Autumn. What a density, what an anthology of dazzling tracks. This album will be a monument and I will take a bet on it, a masterpiece even. I’m not minimizing the quality of his first two, merely enunciating. It’s simply realizing what a huge talent this is!
A 15 minute break offered us the chance to congratulate the artist, whose kindness and availability undoubtedly surpass his ability to handle Voltaire’s language. I just had to put down a negative point of critique! Thereafter we rejoined the public for the second set, the one of Paul Tiernan.
It’s my friend Colby Stead that, nearly 4 years ago, made me discover the album ‘Belle‘ by this enchanting Irishman. To those who are not familiar with the music of Paul Tiernan, I dare to make a comparison with Paul McCartney’s melody talent enhanced by a real ability to carry us away. To charm us, Paul chooses to open up with the ballad ‘Breakfast in Bed’, also the first track on his latest album ‘Earthquakes start with little cracks’. Soft notes perfumed by the Mediterranean, vocally accompanied by Fraser Anderson… magic time! Follows ‘Cracks in the pavement’ and ‘Skinny’. Even if the accents are more electric than the ones by Anderson, Tiernan offers us a magical trip into the very heart of his emotions. Once again, way too short, even when considering the encore.
I can’t but truly advise you to discover or listen again to these two phenomena, and to offer you the space to enjoy one of these fabulous voyages.
If you’ve read our about section you know that this site was started by a few crazy dreamers that have a great love and admiration for all things Ray LaMontagne.
I’ve been following his music for several years now, through unreleased albums, three major album releases, intimate venues, times when Larry, CT and Ray were all you needed on stage, memorable conversations to now this … an experience like none other. I can’t tell you the countless times I’ve seen Ray live, but by far this was a magical experience. His voice was the best I’ve heard in a long time and the orchestra was simply beautiful. I swear he reads my journal because he sings about my life.
I made a comment that Ray had arrived in Hollywood, no joke. I spotted nearby Justin Timberlake and Jessica Biel, sat a few row up from Ron Livingston, Evangeline Lily and Reese Witherspoon walked right by me while I was having a smoke (don’t judge I’m trying to quite) oh and a few of the AI kids. Needless to say it was a night that brought out all the stars. How humbling that must be for a man that only ever wanted to sing a song. I will always consider myself lucky to have met him.
I still to this day will never understand the concept of people talking during a performance. Even as perfect as this night was there is always some idiot sitting in front, behind, or next to you that is clueless the magnitude of some performances. Stay home if you want to talk.
Growing up playing the cello I have a soft spot in my heart for an orchestra so having both my loves in one place, well it was more than I could handle. I didn’t have my camera with me that night, sorta wanted to hold it all in memory but I did find these two youtube videos, the sound is great but man it was just one of those night you had to experience being there. Words just can justify the feeling that man gives you when he sings.
I’ll leave you with a little cover of “Something is Wrong With My Baby” for download.
I went to go see Bon Iver last night at The Echo in Los Angeles and I can’t say enough about how amazing Justin is. I’m sure everyone that reads here on a daily basis knows that he is by far my favorite artist this year. I knew that Phosphorescent was opening up for him but I didn’t know much about their music. I was just so excited to see Bon Iver I didn’t bother looking them up. I had a nice nice chat with Justing while Phosphorescent was setting up and he had nothing but great things to say about these guys and assured me I would enjoy the set. He was right, the set was great. I don’t think these guy’s knew they were the opening act, they gave an energetic show. I found a prime seat stage right and was just captivated by Ben McConnell their drummer. I couldn’t keep my eyes off him, he was sick ( as in bad a** good). They will be on tour with Bon Iver so if you have a chance to catch one of their shows, do so you won’t be dissapointed.
I saw Rachael a few days ago at the Hotel Cafe. It was great to see her once again, it’s been a long time since she’s been out on tour. Unfortunately, I wasn’t able to get a live video recording of the night since I lost my camera charger. Still no word on when the new album will be out but she sang a lot of the new stuff and it sounds great! Here’s a song she’s been singing since last year, Sunday Afternoon. I think it will be on the new album. Just love the lyrics.
sunday afternoon
it’s a choice
to stay
it’s a dream
and i wanna wake
you have blood on your hands
and i’m feeling faint
and honey
you can’t decide
i’m a drug
you don’t wanna give up
smoke your cigarettes
make your love
you poured blood in my heart
and i can’t get enough
i’m drowning, drowning
and you can’t decide
it’s not about geography, or happenstance
you need to fly, and take a chance
you don’t need to soar to emptiness
float on high and forever dance alone
you’re scared, scared, scared
’cause i feel like home
hear your voice
knew right away
if you were here
your eyes would say
there is blood on my feet
as i’m walking away
the rivers are red
it’s starting to rain
i’m not gonna live for you, or die for you
or do anything anymore for you
’cause you leave me here on the other side
won’t you leave me here on the other side
…
not gonna live for you, or die for you
or do anything…
not gonna shed one more tear for you
…
at least not ’till sunday afternoon
I went to see Matt Nathanson last week at Fingerprints. I had a chance to meet him before the in-store started. He signed my CD and kept my stolen navy blue sharpie. It’s always great to meet an artist and find out that they are down to earth, he was like the boy next door.
This by far was the most enjoyable in-store I’ve seen. He made me laugh so much. I posted a youtube video, you can find more of the performance from the same recorder. I was next to the girl taking video, you can hear tell him to grab the towel behind him.
I grabbed the set list before I left, had him title and date it. I love this song Still (aka Hotel Sheets). The album is really good, it’s a little different than what I typically listen to but I’ve been pleasantly surprised.
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I know everyone is always talking, writing, blogging about Damien Rice but I have to say a little something. I went to see him perform last night at the Greek Theater it is such an amazing venue. I loved the fact that he didn’t stick to is usual I want to cut my wrist open until I bleed to death line up, although when he started signing “Accidental Babies” I did turn over to Susana and ask her for a razor. He didn’t finish the song, thankfully for me, my eyes were already starting to well up. He did however sing several songs that were not on any of his released albums. It’s always refreshing to hear new old stuff, if you know what I mean. He sang this beautiful song called “Insane” which I’ve only heard him sing once on KCRW. I’m attaching here for your listening pleasure.
Vyvienne Long, Damien’s cellist played her song “Never Leave You” it was much funnier live, a little unexpected take a listen here.
Overall a fantastic night.
Slower version of Insane on Youtube
Lyrics: Insane
Should I speak?
Should I bother shaking hands?
Am I weak If I leave it as it stands?
I’ve submerged
And I’ve surfaced with the blame
I guess I’m no good
I guess I’m insane
Should I go
If she calls out my name?
And if she bleeds
Should I wipe up the stain?
And if I’m low
Can I drown in this rain?
I guess I’m no good
I guess I’m insane
And I hate when you say
That I never fight for you
Sometimes you breathe
All over my skin
And you always end up
Closer than close
That’s where I give in
Should I confess
The actions of my hand
In my mind
I’ll betray you once again
Why should I climb?
What is there to gain?
This is no good
This is insane
And I hate when you say
That I never fight for you
Sometimes you breathe
All over my skin
And you always end up
Closer than close
That’s whenre I give in
You’re taking
You’re taking
You’re taking me down
You’re taking
You’re taking
You’re taking me down
And you always end up
Closer than close
That’s where I give in
That’s where I give in
That’s where I give in
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