It rarely happens but it happened: last Saturday I foresaked my mountain, accompanied by part of my offspring, and hit the road to a lost abbey, somewhere in the piedmont region, near Aurignac.
No, it’s not my piety that forced me into visiting this magnificent place. Why spread the gospel around in the plains when altitude tends to make you more audible?
Yes, it’s my passion for Fraser Anderson’s music. After a winter of shoveling snow, bringing down trees and chopping wood, this was a well-deserved break from this isolated spot. I admit, they make me laugh at times, those songwriters that lock themselves up in a cabin lodge for six months to find the muse. I live here throughout the year and I don’t have any time to spare on writing songs. Jealous, Me? I sing out loud, bawdy songs, while splitting wood which has a double merit to it ; keeping the bear away and warming up my throat. But I digress…
And what a surprise! I was supposed to witness a one man show. Not only did the evening promise to be one of the best in this place full of history, when the presenter announced to the hundred or so audience that two folk magicians would take turns to offer us a memorable evening: Fraser Anderson and Paul Tiernan! Yes!
For almost a year I constantly have been missing out on the inevitable ‘Private Folk Sessions’ offered by this Pyrenean neighbour (Mr Anderson and his family chose to settle in Ariège)… and here we were, getting double compensation by two doses of excellent whiskey’s: Irish and Scottish!
Nearly 2 metres tall -or is it my admiration that made him look gigantic?- the Scotsman opens the first set under a scattered applause by a timorous crowd. The voice is there, even more spellbinding than on his first 2 albums. It’s undoubtedly the most important istrument of this storyteller. It takes us so high. What a delectation! But not without taking into account his dexterity on the chords. Rhythmic as well as melodic, he handles his guitar with virtuosity, which offers his words a magnificent support anchored in the pure folk tradition, but allowing himself some dazzling forays tending to the blues and jazz. 45 minutes and a fistful of songs later, just as the audience was getting warmed up, the set of this tall bearded man was already completed.
A set of such intensity and variety that to this day it leaves me speechless, still enchanted by the magic. A mere two tracks of his previous albums were played, so the evening was dedicated to his forthcoming album, that should be released in the Autumn. What a density, what an anthology of dazzling tracks. This album will be a monument and I will take a bet on it, a masterpiece even. I’m not minimizing the quality of his first two, merely enunciating. It’s simply realizing what a huge talent this is!
A 15 minute break offered us the chance to congratulate the artist, whose kindness and availability undoubtedly surpass his ability to handle Voltaire’s language. I just had to put down a negative point of critique! Thereafter we rejoined the public for the second set, the one of Paul Tiernan.
It’s my friend Colby Stead that, nearly 4 years ago, made me discover the album ‘Belle‘ by this enchanting Irishman. To those who are not familiar with the music of Paul Tiernan, I dare to make a comparison with Paul McCartney’s melody talent enhanced by a real ability to carry us away. To charm us, Paul chooses to open up with the ballad ‘Breakfast in Bed’, also the first track on his latest album ‘Earthquakes start with little cracks’. Soft notes perfumed by the Mediterranean, vocally accompanied by Fraser Anderson… magic time! Follows ‘Cracks in the pavement’ and ‘Skinny’. Even if the accents are more electric than the ones by Anderson, Tiernan offers us a magical trip into the very heart of his emotions. Once again, way too short, even when considering the encore.
I can’t but truly advise you to discover or listen again to these two phenomena, and to offer you the space to enjoy one of these fabulous voyages.
I landed on Benjamin Francis Leftwich myspace page while listening to his song “More than Letters”definitely one of the most brilliant track on the Communion compilation record.
Benjamin Francis Leftwich is a 20 year old talented english songwriter from York. He’s first EP “A Million Miles Out” will be released in the early days of this fall produced by Ian Grimble (Manic Street Preachers, Travis, Texas). It will be followed by a full length on March 2011. Yes, I know, I’m not late on this one… but pay attention to the following songs, and I guess you’ll add those two dates on your own calendar.
It’s been a long long time since I have posted anything. Never enough hours in the day it seems…work, eat, listen to music, sleep. Repeat…..but I had to make a little time to tell you all Nathaniel Rateliff‘s new album “In Memory of Loss” was released today…and trust me, it is a stunner. I purchased it this morning and I have been obsessively playing it over and over. Love at first listen.
I have Olly to thank for sharing this wonderfully talented artist with me. He blogged about Nathaniel on YCD here last year.
I had the pleasure of seeing Nathaniel live a few weeks back opening for The Low Anthem here in Chicago and I was completely blown away. My only complaint was that the set was too short. I wanted him to play all night! I’m pretty excited I will get to see him again so soon opening for The Tallest Man On Earth in May. Do check out his tour dates and see if he is in your town. Really, you have to see this guy live. His band is amazing too.
Below is a video of Nathaniel performing “Boil & Fight” which is on his new album. I’ve watched this one at least 15 times in the last few days. Yep, I’m hooked.
With no doubt, the best album, 2010 gifted me is ‘Simple Hearts’ the first full length from the young Seattle band Washington Mile.
Chris Wise & Torry Anderson are distillating all along these 12 tracks collection a mixture that merge the best of Rock’n Roll and Folk. Tons of stuff should been said about this album but as usual i’m running against time and to sum up I would say their music is a big fresh breeze I was waiting for.
I first wrote about Essie here and have been keeping a close eye on her career since then. I recently contacted her in regards to playing a show for us here in Brighton (Drifter Promotions) and we got talking about her new album, Until The Light Of Morning which she then kindly sent me. To quote Essie from her liner notes she writes “This record is made for every parent and every baby(and anyone else) who needs to rest and head off into the land of sleep. The record is designed to unwind itself as it goes along, as the music becomes softer and more relaxed, eventually becoming as instrumental as the heartbeat”
It’s easy to think having read that this album is perhaps one dimensional with regard to it’s target audience, but I have no children, am single yet find myself completely submerged in it. It leaves me with a feeling of complete safety, of comfort, of peace. It’s as though when I play it, it wraps it’s arms around me and lets me into it’s mystical world, leaving me with a sense of wonder and hope . There is an ethereal quality to all of Essie’s music, so delicate and fragile that you don’t want to even move when you’re listening to it in case you break the magical spell it seems to cast upon you. It’s stunning! Her voice alone is enough to keep you enthralled, it’s so controlled and intimate with long, drawn out notes reaching right inside of you. As I say, it’s stunning, it’s a beautiful gift that she shares with us all.
To me, you have to listen to this whole album in one sitting and in the correct running order because it flows into one body of work rather than eight separate lullabies. Not only that but your day’s ill’s and woes will have been completely washed away for another time, this is therapy of the very best kind. Buy it!
No mp3 to download as yet because as I said, there is no single release from it, it’s one body of work and so one single track wouldn’t do it justice. However, her amazing daytrotter session has just been uploaded and I urge you to go and download it immediately and you can also listen to a couple of tracks here too.
Salut à tous… Hope you’ve spent a great summer, autumn and winter time.
Here’s a simple alert for announcing the upcoming album from my favorite texan Doug Burr. “O Ye Devastator” his 3rd full length will be released the 4th of May ! In the meantime, here is a free track !
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I don’t remember who sent me this “blast from the past” album from FatCat Recording artist Curtis Harvey. It might have been one of these You Crazy Dreamers bloggers, so I thought I would put a bit of finger to keyboard for it.
The album “Box of Stones” is a new release (Nov. 3rd here in North America, rest of planet still pending I think) and is choke full of acoustic country folk that is just a bit more country than folk. Almost like the album cover, I believe it speaks to another time of sephia toned whiskey joints and live roots music. The sound created seems both personal and full of energy (even if it is a bit down tempo at times) with Harvey’s blood and guts built right in. It is said that he recorded the entire album in his basement with few takes – just took it as it was. I think that is why it seems full of that energy – it is really him, not his recording mixed and reproduced 50 times till it’s a fraction of the sound it once was. A song like “Borrowed Time” has a straight forward structure but seems like was put together like it was happening all at once. It might be the collection of sounds in the background, but I don’t know – it just sounds that way. You can also have a songs like “Joking” or “Words” which are more in the vein of a back porch tribute to a previous time while at the same time being quite beautiful.
Another great track I found on the album is the sing a long “Oldertoo” which is a bit up tempo and brings a bit of kick to the step of this sad bastard. It brings in banjo and an easy sound…I think it could just be the leg slapping (or what is reminiscent of a lite version of “foot stompin’ honky tonk”) – that track is included below, see for yourself!
Sidenote and recommendation: I do know I have kind of beat the vibe of “Americana past” into the ground for this post. I have noticed with today’s indie music landscape where there is a country folk artist on every indie label’s roster (and maybe Harvey is FatCat’s resident guy with a guitar), Harvey brings a country worth considering. With that, Curtis Harvey’s album is definitely worth a few spins, especially while sitting back with a favourite beverage of choice.
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