Archive for the 'Rock' Category

mByronic Heroes - Come on Wind & Bobby Pins

After months of searches through numerous search engines… I’ve finally succeeded getting in touch with the Toronto based songwriter Bryan Carney and above all, get my hands on his double album - a stunning debut collection of not less than 18 tracks.

mByronic have just released a double EP album entitled “Come on, Wind and Bobby Pins” independently featuring one album with full band and another with stripped down guitar, harmonica, organ and vocals.

If my preferences went to the ‘Bobby Pins‘ tracks initially (mostly due to the fact that i’m still in my acoustic, lo-fi mood these days - months, years ), the full band album - ‘Come on, Wind‘ also handles
several great songs. And now, to be honest, from start to end, I won’t be able to choose a favorite. Both are simply gorgeous ! And trying to find comparisons to tease your curiosity is not really an easy game dealing with mBryronic music. Sure, you could note some Bob Dylan, some Nick Cave too… but Bryan Carney has released here is own style sourcing the best of the last decades with a unique sense of the melody… If I can dare i’ll draw a parallel with the Beatles ! And I bet - according to Bryan’s kindness in our e-mails exchanged - that these guys should really rock on stage !

That’s enough for the compliments ! Have a listen on their great music - as usual when album is so good the opening track will do the job - while reading Bryan answering our regular interview !

 
 Come on Wind - mByronic Heroes [3:14m]: Play Now | Play in Popup | Download

 
 Bobby Pins - mByronic Heroes [3:05m]: Play Now | Play in Popup | Download

YCD : Hello Bryan, how’s it going ?
Bryan Carney : Hello Olivier/YCD! I’m doing very well, thanks– it’s full on summer now in Toronto and while my roommate and co-workers are talking air conditioners I’m slowly coming to life from the long winter sleep here and loving every degree.

YCD : Things seems to accelerate around your music these pasts weeks ! Tell us about the new band ‘mBryonic Heroes’ ?
Bryan Carney : I have started playing regularly in Toronto with a couple of very talented musicians, bassist Paul Sorenson and drummer Vitor Dourado and I wanted to reflect the collaboration that takes place when we play by departing from the name “Carney” that I took from my last name when I was playing solo or with an ad-hoc band of mostly family members previously.
We’ve had good chemistry in the few shows and jams we’ve had in Toronto so far and have gotten a very positive response from people, so a new name seemed like a good way to sort of cement this new chemistry.
I chose mByronic Heroes because I wanted to use the Byronic Hero as a half tongue-in-cheek image of an aloof group of musicians that is overt yet playful enough to let us get away with the kind of lyrics I like to write. Its mByronic because it sounds like embryonic which rolls of the tongue better and adds some humility to the name.

YCD : What’s your story with music ?
Bryan Carney : Its hard to pull off hyperbole about music because everyone wants to love it the most, but I’ll try. I think, like Vonnegut, that its the best most convincing argument for the existence of God or for me at least something holy in the world. I can remember the sort of goosebumps and holy feeling I got as a kid listening to my babysitter play the piano or listening to my parent’s Beatles or Cat Stevens or even Neil Diamond records and later Nirvana then Bob Dylan or Leonard Cohen albums on my own.
So that progression more or less gives my story — lyrics became more and more important to me in chasing that holy feeling that come from a really beautiful song to me. So I spend most of my effort getting down and revising the lyrics to get as close as I can to that ideal that hits me in certain musician’s songs.
At the same time I don’t want to neglect the instrumental side of things as some better lyricists can do almost as a matter of principle it seems like. I think that having the right mood and music behind the lyrics is absolutely crucial and in the end probably more important in terms of the final product and its appeal to others.

YCD : Is there a song you wish you had written ?
Bryan Carney :That’s a tough one — I definitely aspire to write a whole album that is as meaningful or as beautiful to someone as say, Dylan’s “Blonde on Blonde” or Elliot Smith’s “Figure Eight” was to me when I discovered them. I don’t think I could pinpoint a song because even in my youth I’m one of those old-fashioned people who mourn the death of the album because I think you really need to sit and listen to the whole thing to sort of get the whole picture, at least in the case of any of those albums I consider to be masterpieces and that really give me that holy feeling.

YCD :If you could share a stage with any band or artist who would you choose and why?
Bryan Carney : There are so many amazing and surprisingly little known bands I catch in Toronto or Montreal that I would absolutely love share a show with and it would be my preference to catch any band early in their most sort of experimental and humble stage — so hopefully we’ll get to share shows with lots of them.
But without a concern for being realistic, for sheer musical ability to share an actual performance with I would probably choose Wilco. I simply love their sound and I thought the stuff they did with Billy Bragg worked really well to add depth to his otherwise more singer-songwriter style.

YCD : What are your projects for the coming months ?
Bryan Carney : The newly formed mByronic Heroes are working on lining up shows in July and September around Ontario, mostly with the material on my “Come on Wind & Bobby Pins” double album and some newer stuff that we’ll hopefully put out on a new album together later this year.
I myself and possibly Paul will be travelling in Europe for August and some musical shenanigan may ensue. All three of us like experimenting with different instruments and styles so there will be lots of jamming to work out ways to keep our live show fresh as we start booking dates again.

Thank you so much, Bryan for taking time to answer our questions.

Band : mByronic Heroes
Label : none
Where to Buy : right from their myspace page !

The Waterboys - Kiss the Wind

How can I resist posting couple lines about The Waterboys new collection ‘Kiss the Wind’ ? 20 years - or more - after, I’m always addicted to Mike Scott vocals. And his own interpretation of my Rolling Stones preferred ‘Wild Horses‘ is simply increasing my addiction !

Kiss The Wind is a special collection of unissued and rare music exclusive to this store, compiled by Mike Scott from material in the Waterboys sound archives. Its 16 songs were recorded between 1991 and 2006, spanning the Room To Roam, Dream Harder, Rock In The Weary Land and Universal Hall eras. The tracks include several legendary or rumoured items, a couple of rare live beauties and a generous number of terrific never before heard songs.

 
 On My Way to The Big Light - The Waterboys [5:41m]: Play Now | Play in Popup | Download

Including, an old-time favorite ‘Stolen Child‘ , this new collection is available only in digital format here.

Say it ain’t So - Mark Berube

Do you remember ? ‘Do you remember some warm september… one sunny afternoon…‘ I can’t resist dealing with a song called ‘Say it ain’t so’ and not evoke Murray Head. Murry Head ? One night in Bangkok ? ouch.. forget this one ! Prefer : Mademoiselle, Children only play (Do you remember…), Cocktail Molotov, Los Angeles, Never even thought, Last daze of an empire, Say it ain’t so, Joe… Well, Murray Head !

In a different style, but both inspired and talented, - and comparisons must being stopped here - Mark Berube as written down his own ‘Say it Ain’t So’… and it seems that his new sister-album, from his magnificent ‘What the river gave the boat‘ ; ‘What the boat gave the river’ - which is not a clean catholic concept - is already recorded, and will be available around august / september.

In the meantime, listen to this fabulous ‘Say it ain’t so’ recorded live @ the Cultch in Vancouver and check Mark Berube’s myspace page to listen to couple tracks from his forthcoming album : ‘Yesterday’s Halo’, ‘Flowers on the Stones’, ‘Minus 17′ are already rated 5 stars on my itunes library : singular symphonies oscillating between chamber pop and folk ; powerful lyrics ; an accurate sense of the melody ; and above all a blessing talent for sharing his music !

 
 Say it ain't So - Live at the Cultch - Mark Berube [5:41m]: Play Now | Play in Popup | Download

 
 Los Angeles - Murray Head [4:48m]: Play Now | Play in Popup | Download

Artist : Mark Berube
Label : none
If you love the sound of this piano song, you should also enjoy Arlan Feiles

Thomas Kitt finds it impossible to lie in a song.

Thomas writes honestly and you can definitely hear it in his songs. In his myspace influences section he states, “bad lyrics wreck my head, I’d rather hear a simple lyric or none at all than someone trying to be smart but sounding like a Donkey.”

Once in a while I come across a song or an artist that will grab my attention and my ears will start pulsing, so was the case when I first heard Thomas Kitt. His song ‘Die Tryin’ is an absolute beauty with its funky beat and hopeful lyrics. His heart breaker ‘Girl with a Whispered Name’ is one I’ll listen to over and over with lyrics like “you’ve only got yourself to blame she breaks your heart, the girl with the whispered name, while her heart barely makes a sound”. Since there is not much info on Thomas he kindly agreed to do an interview with me. I hope you will enjoy his music and interview as much as i did, thanks Thomas.

Check out the songs I mentioned above and a couple others on his myspace page.

YCD: Please tell us a little about yourself, how long have you been making music etc?
TK: I’ve been singing since I was very little, come from a musical family. My dad thought me guitar when I was 7. I guess I started writing my own tunes seriously in my early twenty’s after gaining a bit of life experience. I play cards to fund making albums and I’m a serious optimist.

YCD: What are your top 3 song of the moment and why?
TK:emmmm
Operator by Jim Croce. Absolute classic. Been listening to his stuff on vinyl lately. It’s got the best line ever in a song, about a girl that’s left him.
“she’s living in L.A. with my best old ex-friend Ray”
I love songwriters who possess such turns of phrase.
“So sorry” from Feist, opening track on her Reminder album. Great song beautiful voice, wonderful arrangement, just can’t stop listening to it these days”.
Anything from Gillian Welch and David Rawlings, absolutely love their stuff.

YCD: Who’s been the biggest influence in your musical career?
TK: Guy Clark a Texan country singer songwriter would probably be my biggest songwriting influence. I’m definitely going for the brutally honest style of songwriting, it’s all I know, and he’s the master at that. Life influences me the most though, I’m fascinated by it.

YCD: Where do you see yourself/music five years from now?
TK: It’s such an uncertain business money wise, i.e. there’s not much going around but the great thing these days is that you can make records a lot easier, so I guess if I’ve 2-3 more albums that I’m happy with, done in five years and I’m healthy and happy I’d be delighted. In reality I’ll probably have a few Grammys in the bag :)

YCD: Do you or your music get compared to anyone else? If so, do you see that as good or bad?
TK: You get compared to a fair few people in reviews and such. Sometimes it can be very complementary, other times not so much. It doesn’t bother me whatsoever if I’m compared to someone I don’t think is any good. Everyone is entitled to their own opinion musically.

YCD: Are you working on anything now? Touring?
TK: I’m always writing and the new album is taking shape at the minute. My debut album was released in Ireland about a month ago, so I’m doing the odd bit of gigging and promo. I don’t like force feeding people my CD, I much prefer the subtle word of mouth way of getting your music out there (probably my biggest fault).

YCD: Who would you love to sing or gig with?
TK:Gillian Welch and David Rawlings, Guy Clarke. I’d love to work with T-bone Burnett

YCD: And last but not least, if you had one super power what would it be and why?
TK: That’s a tough one. The greater the power the greater the responsibility. I’ll just go for x-ray vision, top see through cards in a poker game.

all the best
t

 
 Die Tryin - Thomas Kitt [5:19m]: Play Now | Play in Popup | Download

Aimee Mann - @%&*!Smilers

Just a quick reminder for all of You Crazy Dreamers… Aimee Mann forthcoming album will be released, June the 3rd !

 
 Freeway - Aimee Mann [3:50m]: Play Now | Play in Popup | Download

City and Colour - Bring Me Your Love

Not so new album release but it may be new to some of you. Laura sent me this a few months back and I’ve been playing him in my car for the last few weeks. I’m not even sure if you’ve already blogged about him but just in case you haven’t I wanted to since I can’t get his songs out of my head.

I’ve been in one of those funks lately so my taste in music has been slightly on the pop side not to say this is pop, but it most certainly isn’t Americana, so forgive me if this is not your cup of tea. I promise I have some good old Americana/Folk to post about soon. Thanks Laura for introducing me to City and Colour!

You can find their new video here.

“Bring Me Your Love” is City and Colour’s sophomore studio album. It evolves and adds layers to the sentiments in those vulnerable moments shared by Green on his original independent release. Co-produced by Dan Achen (Junkhouse) and recorded at Catherine North Studio in Hamilton, the first song “Forgive Me” opens with footsteps on a wood floor, the whirling of a nearby fan, and the rustling of Green picking up his acoustic guitar and sitting on a leather chair to perform on the former altar of this church-turned-studio. Every instrument used in the recording is “pre-loved”, vintage gear complementing the warmth and honesty of Green’s compositions - an intentional approach to capture the essence and intimacy of how records used to sound. Instruments and vocals were carefully recorded live off the floor, giving the songs depth and intimacy, and eschewing the cut-and-paste approach that is so common in today’s recordings. The album feels like a throwback to the days when an album’s thrills and beauty were found not just in exceptional songs and musicianship, but also in its blemishes and simplicity.

On MySpace

 
 As Much As I Ever Could - City and Colour [5:25m]: Play Now | Play in Popup | Download

Old Lost John is touring UK

After couple dates in Germany this last February, Tomas Thunberg a.k.a Old Lost John is currently in UK for few gigs… Check his website to listen to his recent live performance and be sure to check his british schedule.
Geordie, there’s also a special show for you, right around your corner : hope you’ll find time to join !

This is the schedule:

  • May 10 2008 8:00P - Cavendish Arms (Stockwell) London, United Kingdom
  • May 11 2008 6:00P - Come Down and Meet the Folks (The Apple Tree) London, United Kingdom
  • May 14 2008 8:30P - The Bee’s Mouth Brighton, United Kingdom
  • May 15 2008 8:00 - The Rooms St Leonards-on-Sea, United Kingdom
  • May 16 2008 8:00P - The Smugglers Hastings, United Kingdom

 
 Come Saturday - Old Lost John [2:54m]: Play Now | Play in Popup | Download