Archive for the 'Southern' Category

The Lonesome Drifters Albums Of The Year

Rather than put this particular list in any order of preference or to only choose a certain amount of albums, i’m just going to list the albums that have really struck me as my favourites of 2011 and let you be the judge. All i will say is that i think it’s been a pretty good year for music, especially at a roots and small, indie label level and i personally hope this trend continues into 2012 and beyond. It’s further proof that if you are making good music and bringing it to your live shows, word of mouth still counts for a lot. To be taken to the bands website to purchase the albums just click on their name. Please note, i’m not trying to review these albums here, there are far better places across the net to find those and i will often copy and paste quotes from them, but hopefully by listing my own personal favourites it helps spread the word that little bit further. Please, if you like any of these suggestions, go and buy the album or go and see them play if they come through your town and really help support them as well as your local promoters. Anyway, here goes and in no particular order my 2011 picks are….

Sarabeth Tucek – Get Well Soon

An album that gripped me on the very first listen. Sarabeth’s voice is crystal clear and each word clearly defined, it reminds me of Karen Carpenter’s in many ways, perhaps some Aimee Mann too. Having spent a few years drinking too much, getting arrested. spending time in jail and then the the death of her father, all that sadness, grief and regret all seems to spill out into this album. There’s heartbreaking ballads like the title track through to Crazy Horse influenced songs like Wooden and Exit Ghost. If i was really pushed into saying what my album of the year is, i think i would say this one. It’s certainly the album i’ve listened to the most, that’s for sure. ‘I knew I was sad /I recognised it was bad/but now looking back/I see my mind, it was cracked’ are the lyrics to the beginning of the title track and they get me every time. Put simply, a stunning album.

The Milk Carton Kids – Prologue


With Kenneth Pattengale and Joey Ryan having both released solo albums as well as an album  together under their real names they seem to have now settled on The Milk Carton Kids which  incidentally is a name of one of their songs. Kenneth’s facebook status at time of writing reads  Home = 98 Away = 247 #NightsInMyOwnBed2011 which goes to show how hard these two work  and they’ve already got a headline tour booked for January! It would seem all that hard work is paying off having just finished a tour supporting Over The Rhine and i’m hoping they get some European dates in 2012 too. Quite simply one of the best albums i’ve heard in a very long time and i think 2012 is going to be a very big year for these. Check them out.

Good Luck Mountain – Good Luck Mountain



You have to have a pretty cold heart not to be moved by this incredible album. Mike Ferrio’s  previous band, Tandy came to an end after his great friend and band member Drew Glackin  tragically passed away aged just 44. Good Luck Mountain is an attempt to deal with this tragic event and to say it succeeds majestically would be an understatement. As Mike said himself “When Drew died it really took the paint off me. I couldn’t seem to do anything but think about it and grieve. I missed singing and laughing with Drew. It was a big silence.  After a while I began to be able to hear his voice and his laughter again and after a while the songs started coming” Do yourself a favour and buy this album immediately, your life will be so much better for it.

Cahalen Morrison & Eli West – The Holy Coming Of The Storm


Taking bluegrass to a whole, new level. While we all love to hear the old classics you can start  to hear them being played by a million different bluegrass bands too often so it’s brilliantly  refreshing to hear a band write and play their own songs in this style and ones that can sit  proudly alongside the old ones. This is their debut album and you’d think they’d been at it for years. Talent.

The Brook Lee Catastrophe – Motel Americana

A late contender for album of the year in my opinion. Represents everything that’s great about Americana, brilliantly written songs about girls, love, heartache and everyday, small town life played with heart and soul. As well as the usual cd/mp3 option there is also vinyl which is limited to just 200  copies which i highly recommend. This band are going places and are worth keeping your eye  on.

Jjango Cleefworth Morriconez – The Poquito Pioneer

The meandering green 74’ Oldsmobile resident travels through the deserts of the waning west  and teetering bordertowns. He finds refuge among the roadside vendors and immigrant        folktales on his way to the home of his youth in the Salton Sea

Certainly the most atmospheric pieces of music i heard this year are these two gems. Essentially  the same person (J.W.S) but two different concept albums which were created somewhere out in  the desert of New Mexico. Having been delivered to me wrapped in a map of that area and a note written in  orange crayon, nothing could have prepared for what i was about to hear. I’m not anywhere near a descriptive enough writer to express how good these two albums are. I say albums, i suppose they could be the A and B sides of one album but the mixture of sounds, anything from field recordings to synths, all with a slight cosmic, tripped out country tinge to it all, they mess with your head somewhat, they scare me a little bit if i’m honest but if you follow the concept then that’s not surprising. If you want to listen to something a little bit different, totally unique, a little bit creepy but but also incredibly beautiful then i HIGHLY recommend these two albums. Just stunning! (Word reaches The Lonesome Drifter that these are both available for free for a very limited time only over at the website. However, i still say pay the few $’ he’s asking and receive the real thing)

Jeffrey Wentworth Stevens – Highway Driveway

A townman’s roadtrip from driveway highway to highway driveway. Sun rising and sun setting  euphoria as he wanders across the lost western expanse of the Sonoran desert on Dwight D.  Eisenhower’s gas strewn trails

Keren Ann – 101

An absolutely classic that never received the plaudits it really deserves. A variety of styles  throughout the album which i think works tremendously well but given that she grew up in  Israel,  Holland, Paris and now resides in New York it’s no surprise there’s elements of  Jewish  folk and  something rather ‘French’ sounding throughout it all, whatever that means. However,  it’s her  dreamy voice which stands out and no matter what kind of day you have had, this  album and her voice always makes it much better.

Jonny Kearney & Lucy Farrell – Kite

Given that i played their debut EP  ’The North Farm Sessions’ to death i thought i was perhaps  expecting too much of their debut album, Kite, but if anything i wasn’t expecting enough!  Produced by Adrian McNally (The Unthanks) it’s a fine, fine debut with a perfect mixture of  their own songs and a couple of covers with Lucy leaning towards the more traditional  sounding songs and Jonny a little more contemporary but together they have released one of  the years best albums in any genre. 2012 is going to be their year. Watch this space.

Nathan Bell – Black Crow Blue

An album i first came across over at Songsillinois.net and he sums it up nicely saying there is a  certain James McMurtry similarity going on here but i think also some Springsteen too. Really  deep, powerful songs that i think John Conquest of Third Coast Music summed up perfectly,  writing “Bell’s mature talent makes a good case for the argument that people shouldn’t start  writing songs until they’ve been around long enough to know what the fuck they’re talking  about.”  Can’t argue with that really.

Eilen Jewell – Queen Of The Minor Key

An album that get’s better with every listen. Eilen has come a long, long way since here  excellent debut, Boundary County but i think this latest album really highlights her diversity.  Backed magnificently by one of the best bands you will ever hear there is everything from surf  to rockabilly but of course inside it all is still the country girl shimmering away as good as  anyone. Queen of any key if you ask me. A must have album.

The Shivers – More

I could try and come across as all cool and hip and say i’ve been into The Shivers since blah  blah blah but i won’t, because i haven’t. In fact i only knew of them a couple of months ago  when instead of agreeing to pay £28 to go see Gillian Welch i paid £5 to go see these and i came  away with the vinyl, a new favourite band and a night that will live long in the memory.  Everyone should dig The Shivers because they are as honest as they come and they hit that  spot not only once or twice but in pretty much every song they create. Dig, dig, DIG!

Jeffrey Foucault – Horse Latitudes

Lush, country/folk ballads as good as anything i’ve heard this year.  It also features the immense  talents of Eric Heywood (Ray Lamontagne,Son Volt) on pedal steel, it’s delicately played alongside Jeffrey’s guitar and  soothing, husky voice making for an exceptional album that i think many readers of this blog  will love. Go get it now!

The Lucky Strikes – Gabriel Forgive My 22 Sins

A concept album about a boxer who is living with the guilt of once throwing a fight, based on a  true meeting with the boxer in question by all accounts. All that aside, it really is a  masterpiece of an album and one i’ve gone back to time and time again since it’s release earlier  in the year. With Matthew Boulter’s incredible voice leading the way this band can do no  wrong for me. When i had the pleasure of booking them to play my hometown, they played like  they were in an arena of 50,000 people instead of the 45 or so who were in attendance so for  that alone they are in my list but that’s not the main reason they are. This great album has everything. Soaring vocals, full on rock at times, beautiful, well crafted ballads but most of all every time i play it i smile from ear to ear, it’s just one of those albums that does that.

Israel Nash Gripka – Barn Doors and Concrete Floors

Israel is someone who i think is going to break through into the mainstream very, very soon.  This Steve Shelley produced album kind of follows on from his debut, New York Town with it’s  Country/Rock swagger. Songs of temptation and redemption counteract one another perfectly  with many foot stompers and big choruses to sing along to. Much of the music press compared  him to The Rolling Stones in country mode mixed with some Ryan Adams. I’d say that pretty  much sums it up. Great album and a must see live band. Take your ear plugs!

Case Hardin – Every Dirty Mirror

When it comes to UK Americana, ukericana? they don’t come much better than Case Hardin.  Reviewers across the music press said things like ‘Self-confident and unafraid to  experiment, Every Dirty Mirror touches base with a range of sounds found in the post-Uncle  Tupelo soundscape’ and ‘echoes Dylans Desire period in both scope and atmosphere and marks  out Gow as one of our finest storytelling songwriters.’ Not a bad track on the the album. Highly  recommended.

Hiss Golden Messenger – Poor Moon

Featuring contributions from Terry Lonergan, Nathan Bowles (Black Twig Pickers; Pelt), Hans Chew (D. Charles Speer & the Helix), Matt Cunitz (Brightblack Morning Light), Tom Heyman (The Court & Spark), and others, Poor Moon represents both an elaboration and inversion of previous Hiss Golden Messenger efforts, proposing an America at perpetual sundown, wracked by devotion, wrecked by celebration. Named in homage to the Canned Heat track penned by the immortal Blind Owl, Poor Moon conjures the unsteady experience of soul at home in the wild, and it stands as a captivating document of Southern songcraft. Paradise of Bachelors


King Creosote & Jon Hopkins – Diamond Mine

Both share a taste for a rather languid tempo, that of small-town life and the more tender,  bittersweet emotions; and theirs is a pairing that’s complementary, Hopkins colouring in the  spaces around Anderson’s wearied voice, guitar and woozy accordion. BBC


30 Pounds Of Bone – Method

An album that seeks to explore the folksinger’s contradictory status as an outsider, often  recording and touring alone, a situation seemingly at odds with folk’s suggestion of  community. The result is a record fraught with geographic dissatisfaction, heartbreak, ghosts,  isolation and drunkenness. Sitting uncomfortably somewhere between auto-biography and  allegory the songs take in real life events and fantastical narrative concerning relationships,  the dangers of being eaten by the dead and the difficulties of communicating when at sea. Armellodie Records


Danny Schmidt – Man Of Many Moons

Having now released numerous albums and all of them received really well across the music press, it’s still surprising that Danny Schmidt is not a household name. Talent oozes from every single part of this man. Writes a song as good as anyone around, plays the guitar like he was  born with it in his arms and sings beautifully with his slightly whispered tone. If you don’t yet  know Danny Schmidt,please correct that wrong asap because your world will be all the better  for it.


There are many more great albums i heard this year but these are the ones that really stood out for me.I will also be playing a track from each one of these album on my radio show THIS Saturday from 10am (UK Time) on Radio23.org and a podcast will be available to download afterwards from my blog. Hope you enjoy and hopefully you may have found something you’ve never heard before and you then also spread the word.

My tip for next year is concept albums, they’re going to be everywhere. Happy 2012!

Jeffrey Luck Lucas releases “The Lion’s Jaw”, discusses the album, tours and if “Luck” is really his name!

**This is a mirrored post from over on Slowcoustic.com – (because I know Olly loves this guy!).
The downloads included are a higher bit-rate over here as well!!

Photo by Nikki Pratchios @ The 500 Club, San Francisco, featuring Natalie Edwards

“The heart of a cur keeping time with her bedroom eyes.” ~JLL

The upcoming album from Jeffrey Luck Lucas entitled “The Lion’s Jaw” should be out any second and from the few tracks I have heard it is going to be another incredible album.  This is a top album in the “looking forward to in 2009″ for me and am glad it is about to surface.  Why this guy isn’t more famous, is beyond me.

Yes, I am being purposefully vague about the release date for the new album as it has not “officially” been set yet, but I have good authority that it will be available within the next couple of weeks.  The music industry can be an enigma in itself and a lowly music blogger simply wants the end product of a great album.  This particular great album cannot get here fast enough.  If anyone is familiar with Jeffrey Luck Lucas you will know that there is a theme/feeling/aura surrounding the work of Lucas: one of solitude, trying times and ultimately a mixture of hope amongst bleak times.  In going back and forth with Lucas (as you will see below in the interview), he is conscious of this mystique he conjures with his talent.  One that draws me like a moth to a flame, not blindly, but just something that consistently brings fulfilling music – not the one hit wonders or smash and grab singles that circle the world of music these days.

Lucas has 2 previous albums to date of which both come highly recommended for lovers of the sombre almost Americana crowd.  I say almost as his music floats around many genres but doesn’t make its home in anything specific – It has essence of a Matthew Ryan’s melancholy, Leonard Cohen’s storytelling and delivery.  I used those two artists as one brings to mind a mature established performer with the other bringing something more modern down-tempo, the blending of it all gives you a great idea of what Jeffrey Luck Lucas provides.  Another way to put it is to let you know the titles of the two previous album “Hell Then Divine” and “What We Whisper”.  So you get an aching performance of the down trodden with that glimmer of redemption only moments away (all the while being aware of oneself and being awake to some humour of it all).

Well, if I can say one thing, it is “The Lion’s Jaw” is going to be another notch on this troubadour’s belt and should make it’s way to your collection…soon.  Let’s dig into a bit of “Q & A” with Jeffrey Luck Lucas.

~~~

1. Who is Jeffrey Luck Lucas – introduce yourself to our readers – and is “Luck” really your middle name?

“Luck” is as real a name as any of mine, in my opinion, though I wasn’t born with it. I was christened with the name around a pool table in a great long-lost dive bar. It had a nice ring to it so I let it stick. I don’t know how to introduce myself. Maybe we’ll let the music do the introducing? I mean, it’s all there.

2. We are big fans here at Slowcoustic/You Crazy Dreamers and me especially as I am a jokingly described as a fan of “sad bastard music” – is this how you would describe your music?

Thank you… I do appreciate the support and encouragement to keep doing the dirty work. Though I do encourage others getting dirty with me.

I would say that the music is created by a sad bastard, but it isn’t all sad (and neither is the bastard). I think there’s a lot of beauty and humor drifting alongside all the emotional wreckage and debris. Not to mention sex and violence.

I think as more recordings surface the story will become more complete. It is definitely a living voyage that just happened to begin with a funeral march.

3. Now releasing your third album “The Lion’s Jaw” – When is it being released, where can we get it?

THE LION’S JAW will be released soon, this month I believe. It has been horribly delayed. The only bright side being that I’ve basically finished the fourth album (which I’m really really excited about) and that should be coming out this year as well. I don’t have a title yet, unfortunately.

You should be able to get THE LION’S JAW soon on iTunes and other online electronic distributors. We will also be doing a limited run of vinyl and CDs that will be personalized, numbered, etc. And it will have it’s own European label/release as well.

4. What were some of the things that lead to or assisted in the creation of the new album?

A sense of growing strength. An ability to face the present with clear vision. Working through an emotional backlog. Being comfortable in the skin of the night. Giving-up black and white ideals. Coming to terms with never coming to terms. Eroticism and passion in the midst of hell. And new sources of inspiration from my friends and loved ones. From their music. And Desmond Shea’s co-vision… his ability to find diamonds in my bullshit. [please edit this at will]

I really view THE LION’S JAW as a door. It marks the end and the beginning, depending on which way you’re heading.

5. You are more than a “guy with a guitar” – you are known as a trained composer & cellist, how do these integrate into your albums?

I tried to plaster as much of my self and my vision as I could on these records. I love doing arrangements and playing any and every thing I can. I record demos for every song, playing all the instruments. I learn so much from doing that. BUT… now I’ve found some guys who’ve living the music with me… and they’re bringing something… so I think the next records will be a little less claustrophobic… more accessible in a purely collaborative/spiritual way. Jesus, did I just write that?

6. Any upcoming shows, festivals that you are appearing at – where can we see ya?

Well, we’ve been working hard to get a strong band that can handle the music, so you should be seeing us over the next few months. You have to let the record simmer for awhile before you go out to lose money in support of it. Seriously, though, we’ll be in Europe late Fall/Winter and start from there.

I’ll also have a pretty full schedule playing cello and other things with other artists like KIRA LYNN CAIN and JAMES FINCH JR. this Summer and Fall.

7. Who are artists that you have toured/worked with that have influenced you?

TINDERSTICKS, JOHN DOE, ALEJANDRO ESCOVEDO, THE WILLARD GRANT CONSPIRACY come to mind, as far as artists I’ve shared the stage with. My bandmates, JUSTIN FRAHM and JAMES FINCH JR. are amazing songwriters, along with KIRA LYNN CAIN. SEAN COLEMAN (now of Dublin, Ireland) is an amazing musician and an inspiration. And we wouldn’t be here talking if it weren’t for DESMOND SHEA, producer, engineer, 5th Beatle, etc. I’m probably missing a dozen or so. What the hell…

As far as influences that I haven’t had a chance to work with or share the stage with, I would say LOU REED, SERGE GAINSBOURG, SCOTT WALKER, NICK DRAKE, NICK CAVE, LEONARD COHEN, JOHNNY CASH, LAMBCHOP, IGGY POP, ITALIAN FILM MUSIC, etc. etc.

~~

There you have the great insight of JLL and please consider frequenting his sites to find the new album once released.  Prior to that, you can pick up a copy of “What We Whisper” (iTunes and CD Baby) and “Hell Then Divine” (iTunes and CD Baby).
You can also visit Mr. Lucas over on his Website and his MySpace page for updates on the new album.

~Smansmith

If You Haven’t Heard – Tobacco Pat

Tobacco Pat is the subject of this episode of “If You Haven’t Heard” and once again, you need to hear – but I guess that is the point of the series.  Well now that we are on subject, I was recently introduced to Tobacco Pat (and have previously mentioned him HERE) and now I hope to introduce you to Tobacco Pat, if you haven’t heard already.

Tobacco Pat, or Logan Farmer, is a Floridian with a sound that speaks from the belly of the South, just maybe not the south of Florida.  Not ever being in Southern Florida, I can’t say for sure, but the dark, foreboding Americana coming from Farmer is both gothic and gorgeous but doesn’t conjure up images of azure ocean and palm trees.

He has a couple of EPs – “The War” and “The Plague” out currently with a full length – “Everything Will Be Oklahoma” on the way.  So far his EP series follows different ways that this very world may end, in 5 storied tracks at a time.  While “The War” is a little more of a fuller sound and “The Plague” a bit more lo-fi, they both find themselves in common territory – downtempo goodness.  I am often biased, I lean towards the troubadour and I never cover artists/bands I don’t like – so this should be no surprise – If you haven’t heard Tobacco Pat, you must.  Head over to the YerBird Aviary of which he is a new resident or his MySpace Page for more info and downloads.  He has lots of additional tracks on his MySpace player including samples from the upcoming album that will be released in September on Feels Like Home Records!

You can also visit my duplicate post over on Slowcoustic that will have a couple other songs for listening and downloading.

~Smansmith

Silver Darling finds me, I try to resist, but cannot…fan created.

Silver Darling are new to me.  I discovered them while covering Garrett Pierce for my day job at Slowcoustic and while looking over the label page for Crossbill Records, I found another gem in Silver Darling.  There is also a Matt Bauer EP that is incredible with Crossbill, but let’s not get ahead of ourselves here.  From what I can tell this is a band that is just starting out releasing albums (2008, but Silver Darling has been in the works since 2006), gaining members and looking forward to continued growth, touring and albums.

While as I say just starting out, they still have two official releases to date and have grown from a trio to a quintet (that’s five) in the last few months.  A common theme when I start to really enjoy music is a sound that is usually folk, but one that seems acoustically inclined (at times) and have something that separates if from the sea of others.  Whether that is a unique voice, interesting inclusions of instruments or a sound that keeps it’s roots in folk but walks a fine line to gothic, indie Americana.  Silver Darling find themselves roaming comfortably throughout these territories.  Their website has the below description:

…Northern California based soul folk in action-Guthrie Americana-dark gospel musical group…

With “sounds like” from their MySpace page of:

’77 sunburst Gibson Les Paul, ’77 Rickenbacker Bass, ’59 Ludwig 28″ bass drum, early ’60′s Hammond organ, ’45 king 2b silvertone trombone, ’82 Martin HD-28, voice (high tenor), voice (baritone)

Now you see?  There is a bit of everything with SD, you get the mellow folk acoustic tracks “Leave My Body Like a Stone” or “Land West of The Mississippi” and even folk rock of “Hanging Rest” – you have Kevin Lee’s lead vocals power through while still showing the fragility of just holding on.  You can actually feel and hear the incorporation of a fuller band from the first EP “Wrap Around My Heart” to the newer “Your Ghost Fits My Skin” – while the EP is more acoustic and southern gospel, the newer LP could be a group effort that brings the power of that South to the forefront (you can find this in tracks like “Roof and Seed” – swing by their website to listen for yourself).  This is what always attracts me and keeps me listening – great music, dark lyrics/discussion, a possibly a bit of twang from a pedal steel…if this is something that might intrigue you, take a listen below – you will find yourself a wash in a Southern Delta sound that while still finding its final signature sound, is doing a incredible job of playing great music along the journey.
~
Wrap Around My HeartSilver Darling
“Clothes Removed” (mp3)
“Land West of the Mississippi” (mp3)
from “Wrap Around My Heart”
(Crossbill Records)

More On This Album


~
Your Ghost Fits My SkinSilver Darling
“Leave My Body Like a Stone” (mp3)
“Holy Oak, Muddy Banks” (mp3)
“Hanging Rest” (mp3)
from “Your Ghost Fits My Skin”
(Crossbill Records)

More On This Album

Visit Silver Darling on their Website for a few more songs to listen to and swing by Crossbill Records for a little label action and to pick up an album.  If needed, their newly restored MySpace Page is located here.

~Smansmith

Sorting A Blogger Inbox – A Guide.

So I thought I might take a moment to peruse our inbox for musical suggestions, gifts, lottery notifications and offers to help a former doctor in Rwanda.  Always a bit of a mish-mash in a blogger inbox!

There is an art to sorting a Blogger inbox, as you do get great musical suggestions, hear from good people, and readers/artists even send kind words of appreciation.  You are a guru, you blogger you!  Then you get PR emails, they are a good source of information, but always seem a bit cold.  Lastly, you get “artists” who are trying hard to get heard and you want to help out but you simply don’t like their music.  That last one is always hard, as I think I have good taste, I also think I am a nice guy, so how do you react?

Well, there are more difficult things in life than handling an email inbox, but I thought I would list a few items that I think are common sense items, but need to be said about sending an email to a blogger.  Please read below, call me an idiot, call me obvious, simply read and move on…just sayin.

  1. Only send email to blogs that you would want to see your music on: Why would you send a indie-folk blog your latest dance remix?  Think about it.
  2. Know thy blog/blogger: This is similar to the above, but generic emails get much less attention.
    2a. Really know thy blog/blogger: Remember, some of us (myself included) blog on more than one music blog.  What I am saying is don’t send your EXACT same email with only the “Name of Blog” changed.  It is embarrassing for you and is not going to get you a post when you “…have been reading your blog for soo long and I have always wanted to be considered for “your” blog as you are my favourite blog…”
  3. Attach media: I give more attention to artists who send a sample track and offer an album download for review.  Yeah, I want your MySpace page address along with news, but include media and get online.  On this topic, you must allow something to be downloaded…this is what readers want.
  4. Be modest: Everyone can have talent, so be proud of what you have created, but everyone might not like it.  Be honest about it and be humble in the hope that the blogger might like it as well.  Don’t tell us we like it before we have even heard it.
  5. One Follow email up is great, 10 is annoying: This one is just common sense….isn’t it??

*EDIT – LATE ENTRY*  6.  Keep in Touch: If you are on the blog, we like you.  If you have new projects or news, by all means send us an email with an update.  LOVE to hear back from artists – makes everything warm inside…

Okay, so now we are on the same page and I apologize if anything seemed harsh, it is not meant to be.  I always love getting music in my inbox – so keep on sending it to us!  Now that I have said that, I have included a couple of recent artists who made the right decisions in their emails and hence, they are now on the blog.

~Firstly, I have Corbin Murdoch and the Nautical Miles who are releasing a track each month (on the 15th to be exact) and offering a free download of it (and accepting donations for higher quality files, etc).  Eventually it will be an aptly named album called “A Year of Song”.  Great idea, great music.  Visit Murdoch and crew on their website.

~Secondly, Trunks & Tales is a “Southern Alabama” group that just happens to be physically located in Pennsylvania.  They draw an almost fringe folk via hillbilly rock – an Alt Country Mountain Goats if you will.  Sound interesting, listen below and visit them on MySpace and Last.fm for a load of more free music.

~Smansmith

Jon-Rae Fletcher’s – “Oh, Maria”

Jon-Rae Fletcher is a Canadian singer-songwriter who grew up in Kelowna, British Columbia. Born the son of a preacher, Jon-Rae sang in his church’s choir by day and fell in love with the music of Kurt Cobain at night. Combining his passion for the sounds of country, gospel, rock, and soul, Jon-Rae Fletcher created a unique blend of music, which at times is minimal and soul bearing, and at other times a full-blown-rock-throw-down.
Stunning crowds with his resonating country voice, Jon-Rae’s cathartic, soul-stirring live show has helped build an ever growing following. Jon-Rae has recorded and released a number of stellar albums over the years, both as a solo artist and with full bands consisting of numerous talented friends from across Canada.

Recently released album “Oh Maria” is another example that Canada is not the land of hibernation and could be akin to the dusty rural south.  There is a lot of “Canadiana” coming out lately and it is all good (see The Deep Dark Woods only a few posts ago).

The story behind “Oh Maria” seems like an unfortunate series of experiences that led to JR recording the story.  There has been struggle that JR has worked through on his journey – both across Canada in life and in creating this album.  The presentation of these 10 songs is intimate, confessional and a storyline of recent life experiences that he/or his character on the album overcomes.  Like many before him, life teaches and shows you its ups and downs, and this album is all about that.

The sound of the album is essentially a gospel country album at heart.  There is many influences from soul, jazz, Americana wrapped up in a singer songwriter package.  The use of horns in this album alone is worth mentioning – powerful, yet tragic sounding at the same time, gorgeous stuff.

Enjoy a few tracks from the album below that was recently released February 3rd, 2009 on Weewerk Records out of Toronto.  He is in good company there with Great Lake Swimmers, Barzin and Elliott Brood to mention a few.  The songs below show you two of the stand out tracks in “Oh, Maria” and “Downtown”, with the piano laded swing time that is “My Hands” included for good measure!

Visit Jon-Rae Fletcher on his Website and MySpace Page.

Jon-Rae FletcherOh Maria
“Downtown” (mp3)
“My Hands” (mp3)
“Oh, Maria” (mp3)
from “Oh Maria”
(Weewerk)

More On This Album


~Smansmith

Who Is This “Jim White” Anyway?

Transnormal SkiperooJim White
“A Town Called Amen” (mp3)
from “Transnormal Skiperoo”
(Luaka Bop)
“Pieces of Heaven” (mp3)
from “Transnormal Skiperoo”
(Luaka Bop)
“Crash Into the Sun” (mp3)
from “Transnormal Skiperoo”
(Luaka Bop)

More On This Album

A Funny Little Cross to Bear - Live EP
“Counting Numbers In The Air” (mp3)
from “A Funny Little Cross to Bear – Live EP”
(Luaka Bop)


“Jim 3:16″ (mp3)
from “A Funny Little Cross to Bear – Live EP”
(Luaka Bop)

More On This Album
~

I only have one way to describe to you who Jim White is.  It is both ominous and pinpoint accurate.  It also just might be the best description I have heard of anyone and their music in a long time.

Jim White is a highly original voice in the immense Southern gothic tradition. When broken humanity aches for grace, music like his may give you a shot at redemption.

For an introduction how about a few tracks from last year’s “Transnormal Skiperoo” and a couple from his new live EP “A Funny Little Cross to Bear”.  You can check out the rest of his discography, read a little more about him on his MySpace page or his Label Site.  I also don’t want you to forget about his Daytrotter Session as well – find it here.

Have a great “Southern gothic” Monday.

~Smansmith




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