I just recently discovered The White Buffalo while trolling Last.fm of fellow friends and neighbors and I must say it has been a pretty good find. I listened to a couple of tracks from his website and then immediately zipped over to eMusic and picked up his Hogtied Revisited album that was released in March of this year.
The video included below is for “Love Song #1″ which is from “The White Buffalo EP” which I believe is from 2005. 2005!?! Yes, this guy has slipped past this Americana/Alt-Country fiend…but no longer. This “White Buffalo” or Jake Smith as he is known to his friends is now on my radar. This song is also streaming on his website homepage along with 2 others – so get a listen on and then zip over for an album if you enjoy it as much as me.
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I don’t remember who sent me this “blast from the past” album from FatCat Recording artist Curtis Harvey. It might have been one of these You Crazy Dreamers bloggers, so I thought I would put a bit of finger to keyboard for it.
The album “Box of Stones” is a new release (Nov. 3rd here in North America, rest of planet still pending I think) and is choke full of acoustic country folk that is just a bit more country than folk. Almost like the album cover, I believe it speaks to another time of sephia toned whiskey joints and live roots music. The sound created seems both personal and full of energy (even if it is a bit down tempo at times) with Harvey’s blood and guts built right in. It is said that he recorded the entire album in his basement with few takes – just took it as it was. I think that is why it seems full of that energy – it is really him, not his recording mixed and reproduced 50 times till it’s a fraction of the sound it once was. A song like “Borrowed Time” has a straight forward structure but seems like was put together like it was happening all at once. It might be the collection of sounds in the background, but I don’t know – it just sounds that way. You can also have a songs like “Joking” or “Words” which are more in the vein of a back porch tribute to a previous time while at the same time being quite beautiful.
Another great track I found on the album is the sing a long “Oldertoo” which is a bit up tempo and brings a bit of kick to the step of this sad bastard. It brings in banjo and an easy sound…I think it could just be the leg slapping (or what is reminiscent of a lite version of “foot stompin’ honky tonk”) – that track is included below, see for yourself!
Sidenote and recommendation: I do know I have kind of beat the vibe of “Americana past” into the ground for this post. I have noticed with today’s indie music landscape where there is a country folk artist on every indie label’s roster (and maybe Harvey is FatCat’s resident guy with a guitar), Harvey brings a country worth considering. With that, Curtis Harvey’s album is definitely worth a few spins, especially while sitting back with a favourite beverage of choice.
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I know I know, it came out in September and yes I am aware other blogs may have written about it, am I bothered? Not in the least, this blog has never been about being the first to post about someone although many times we have been but in the case of Mr Bondy I feel his new album, When the devil’s loose, deserves to be blogged about by as many people as possible as it’s an amazing piece of work. Recorded mostly in Mississippi by Bruce Watson of Fat possum records who has produced for the likes of Andrew Bird and the Black Keys as well as others and partly in New York by Jeremy ’searcher’ Backofen (The Felice Brothers). In fact the brilliant Felice Brothers make an appearance on two tracks, namely When the devil’s loose and the final track of the album The coal hits the fire and you could argue they are the two stand out tracks on the album but that wouldn’t be fair to the rest of it as it’s full of acoustic gems. From the gentle opening track The mightiest of guns where his slightly croaked voice telling you to see the stars falling down like burning rain that were fired by the mightiest of guns, to the above mentioned final track bringing this fine album to a brilliant end. Of course with the Felice brothers connection there is some of their trademark sound to be heard here but I also hear in his voice similarities to Justin Rutledge and also just hear a later Josh Ritter singing I can see the pines are dancing. This is a must have album in my opinion by a singer/songwriter on the up who I think can only get better and better.
I saw Mr Bondy support the Felice brothers recently here in the UK and I urge you to go and see him on his current U.S tour as he’s a must see live act that will leave you astounded. Also, his new album is available on vinyl and it comes with a free mp3 download so please, without going into how right now, you are supporting these smaller artists by buying their vinyl so do it.
He has also done another session for hearya which is going to be up soon but you can still grab his previous one here. Enjoy.
Not a new album or anything but Sam has a nice video just posted on youtube I thought i’d share with you’s.
Sam’s brilliant album Close to home, can still be picked up either online at Jumbo records or Rough Trade now have them too, good work. Remember the cd comes with the vinyl so a bargain to be had considering there is a limit of 500. Pick up a rare treat while at the same time grabbing the best british roots album this year.
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Another installment of the Song o’ Day series I have been indulging in this last couple of months, hope you all like the fast blast of one track hits. Well, hits in my books…
Today we have Mason Lindahl and his incredible guitar work. He just happens to craft a song around his display of delicate acoustic guitar playing. He is new to me but apparently well known for being quite the “finger picker” and I am inclined to agree. There is a juxtaposition in this track though – you have delicate fretwork, but you also get coiled energy – this isn’t your daddy’s classically trained guitar work friends. I guess this is why the words Alternative and Folk were used by IODA (even if both words are bastardized versions of what they once were, but I digress…). There is just something about this track, I get the feeling there is more than just a song in this song…ya know?
Enjoy the title track from the recently released “Serrated Man Sound” album, it is worth multiple spins folks.
I first came across Hush Arbors around a year ago when Uncut magazine put one of their tracks on a compilation cd they give away each month. Signed to the brilliant ecstatic peace label I was immediately struck by the sadness in Keith Woods voice, it reminded me a lot of the late Saint Thomas who I am a massive fan of and the second track (Lisbon) on the new album which just came out this week in the U.K yankee reality is uncannily similar. This is completely accidental as when I saw Keith play a solo set recently in London he said he’d never heard if him when I asked him.
Hush arbors earlier albums blends fuzzy lo-fi psych-folk with country but on the new one, which is produced by Dinosaur jr’s J Mascis there’s an added rockier edge to it, namely on fast asleep and the blistering final track Devil made you high but it still manages to maintain the default sound on so they say and one way ticket. If I had to pick out my favourite track from this album which quite frankly doesn’t have a bad one on it, i’d probably go for take it easy only because it’s completely different to any other they’ve done, more country sounding in the style of say The Byrds but you could ask me again tomorrow and I could plump for coming home with it’s chugging along riff and mellotron (played by J Mascis) with the first line ” I was thinking about the country, walking down these city roads, thinking about the space between, the silent and my soul” I love shit like this, it resonates with me.
When I was in London and I saw Keith play rue hollow I remember sitting completely transfixed by him and coming to the realisation that I was in the presence of a genius. He’s got that certain thing no one can name or put a finger on, the same as Elliott Smith had or Nick Drake, just that something. His songs seem to come from somewhere deep within him very few of us ever reach, the bit where the real honesty lays and he’s bearing his very soul. Very few songwriters do this in my opinion, it takes guts to lay it all out on the line for everyone to hear and that leaves a certain vulnerability, it’s risky because it seems so fragile and any criticism could easily break it, or at least try to. Criticism must be hard to take when you’ve just bared your soul.
Now based in London there’s a couple of dates in Italy and then London at the end of October. Info here
Kindly I have been allowed to put up a couple of mp3’s for you to download but please please please, if you like it go and buy it here, you will not be disappointed I promise you. Enjoy.
So “Song o Day” today is a great cover. I say this as not all covers are great, some are simply imitation. It is nice to have a song that even though it is a cover, it can stand on it’s own. This is one of those tracks from Kyle Swartzwelder and his cover of the Kathleen Edwards track “Away”. Kyle sent these over to me the other day (along with a Neil Young cover of “Powderfinger”, nice), and I needed to share at least one of them. Man the slide guitar (or what I think of as the slide guitar) is just gorgeous, waning and waxing throughout!
Enjoy a bit of folky Americana for your Thanksgiving. Canadian Thanksgiving that is, and give thanks for talent such as Swartzwelder and Edwards. If you like this unreleased cover track – pick up Kyle’s album over at CD Baby HERE. If you wanted to hear more of Kathleen Edwards, visit her on her website HERE.
~Smansmith
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